2003至2013年間，荷蘭國家博物館(the Rijksmuseum)的主建築休館進行整修。在此十年間，隨著數位化、線上論壇與社群媒體的興起，荷蘭國家博物館開始關注於建立與藝術史學者和一般大眾分享其館藏的新媒介。即使博物館本身的建築十分漂亮，也有相當傑出的展覽，但館員意識到大部分的館藏受限於空間而幾乎沒有展出的機會，而絕大多數的潛在觀眾無法親身前往造訪，許多藝術史學者更沒有碰觸或近距離地研究這些館藏的機會。 本講座將探討與分享荷蘭國家博物館的數位化成果，為一般觀眾建立的工作坊、提供館藏相關資料的應用程式介面、翻譯工具與系統優化的鏈結開放資料、幫助進行研究與分析的線上新工具(油墨樣品資料庫、館藏線上目錄、關鍵來源工具)。講座將會聚焦於博物館開放、自由的數位化策略之成果與效益。 最後，我們將反思一個問題，荷蘭國家博物館高品質、免費分享的數位策略如何推動學術研究，以及帶動促進(數位)藝術史的發展。
原文： Lizzy Jongma (Rijksmuseum The Netherlands) Abstract Between 2003 and 2013 the main building of the Rijksmuseum was closed for extensive renovations. During this decade - with the rise (even explosion) of digitization online communication and social media – the Rijksmuseum started to focus on new ways of sharing it’s collections with the museums audiences: both art historians and the general public. Even though the museum has a beautiful building and excelent exhibitions staff realised that most of our objects will never be on display and most of the (potential) audiences will never be able to visit the museum. Most Art Historians also will never be able to study the museum objects: touch them or zoom in on them. This presentation will focus on the Rijksmuseum digital activities: Rijksstudio for the general audience; the Rijksmuseum API for automatic distribution of data; linked Open Data as technique for (automatic) enhancement and translation tool; new tools for scientific research (paint sample database collection catalogues online niche source tools) of digital information. And it will zoom in on the results of the museums open free digital strategies. The presentation will end with reflections on the question how the Rijksmuseums high quality freely sharing digital strategy helps research researchers and the museum to further develop the field of (Digital) Art History. | 
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